Italian Contemporary Cinema: In Noris’s transformation from common thief to baroness, and in De Sica’s from aristocrat to beggar, the films’ (Il Signor Max (1937) and Daro un millione (1935) emphasis on impersonation introduces reflections on what?

Question

In Noris’s transformation from common thief to baroness, and in De Sica’s from aristocrat to beggar, the films’ (Il Signor Max (1937) and Daro un millione (1935) emphasis on impersonation introduces reflections on what?

hollie moirr · Accepted Answer

The cinematic image and on the iconography of the star as unstable visual currency, but as currency that works at the box office.

Italian Contemporary Cinema

In Noris’s transformation from common thief to baroness, and in De Sica’s from aristocrat to beggar, the films’ (Il Signor Max (1937) and Daro un millione (1935) emphasis on impersonation introduces reflections on what?

The cinematic image and on the iconography of the star as unstable visual currency, but as currency that works at the box office.

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