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Statement


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Rebecca Darmanin


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[Front]


Collection Introduction (2)
[Back]


Selling Manhattan, 1987 A child is giving an account of evidence - emotional appeal The grown-up imperfect world is perceived through the eyes of a child

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Collection Introduction (2)
Selling Manhattan, 1987 A child is giving an account of evidence - emotional appeal The grown-up imperfect world is perceived through the eyes of a child
Subject
The domestic violence scene is being retold from the child's view
Form (4)
Three heptets Dramatic monologue Ventriloquism - insight into the mind of a child, increases pathos Prose-like sentences, rather than verses
Theme (3)
Aggression is seen through the innocent eyes of a child - childhood is being marred by adult imperfection Juxtaposition between the innocence of the speaker and brutality in the father's language Loss of innocence - Childhood - Living in a foreign country, otherness - Women's rights and positions in society
Motifs (2)
"Da was drunk again" "shouting the bad bits"
Diction; Language (3) Lexical fields (2) Dialect Transferred epithets (2)
Innocent (child) - 'da', 'bad bits' Brutal (father) - 'I'd better be dead' Colloquial - 'God's truth', 'sweating blood doing it' Religious - 'Jesus Christ', 'flesh', 'crucifix', 'devil' (cultural background) Family environment - 'mantlepiece', 'apron', 'floorboard' (concrete nouns) Irish - 'dance for the Queen's men', 'mammy, mammy' 'dangerous moon', 'clenched face like a big fist'
Imagery and Symbolism; Pictorial (2) Visual Associational (2) Auditory
"Jabbed his finger to the north" - harshness of adult life "flung it on the fire" - violence (symbol of destruction) "her apron was a map of Ireland" "sweating blood" - indicative of Jesus' sacrifice on the cross (parallel to mother's sacrifice) "clenched face like a big fist" "There! There!" - desperation and homesickness
Rhythm
Rushed tempo matches agitation of the father; "he said/I'd better be dead, picked up the old clock/from the mantlepiece and flung it on the fire" (enjambment)
Rhyme (2)
Masculine, end-rhymes Monosyllabic pararhymes; 'him', 'time'
Tone (3) Mood
Fear of the abusive father Pity towards the mother Sympathy towards the child Tense, agonising atmosphere
Conclusion (3)
Sad, traumatic view of childhood Invasion of childhood by negative adult experience Duffy refers to childhood as 'The Other Country'